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“The LP180 has the power and build quality of the Nikon and Canon flagships at ~⅓ the price,” Hobby wrote. arguably other (better) features that the flagships lack (in-line 1/4×20 sockets, gel-holders, gels included, and 4 ways to sync it.)” Those multiple triggering options let you use it on top of your camera, on a stand, or—as your skills grow—in a more complex lighting setup.In Hobby’s review of the LP180 for his site, he writes, “The LP180 is rock-solid, with a near-perfect feature set for lighting photographers.
Larger reflectors, particularly those with oval shapes, can be much more difficult to collapse to storage size—hence the large number of You Tube videos explaining just how to do so.“Reflectors are an overlooked and underutilized photography tool,” New York–based portrait and wedding photographer Joshua Zuckerman told us.“They can help shape the light, turning an amateurish portrait into a stellar image.” Reflectors “bounce” or reflect light onto an area in shadow.Controlling how light interacts with a scene can mean, among other things, using a flash to get rid of shadows, reflecting a different shade of light to best illuminate a portrait, or tweaking the colors of a photo to make them more accurate.Some of these tasks involve tools that few people will need, but for other tasks certain tools are invaluable.And after you pick up that flash, we recommend that you dive into a good long read, Strobist’s Lighting 101.
Most camera brands require proprietary connections to adjust lighting strength automatically (a technology known as TTL, for “through the lens”) rather than manually, which makes flash choices complicated.
We interviewed David Hobby—the man behind Strobist and a world-renowned expert on off-camera lighting and education in its use—and learned that the best beginner flash is the Lumo Pro LP180, a manually controlled flash that works with any camera.
The flash’s excellent build quality, low price, multiple ways of control, long warranty, and wide compatibility make it our recommendation.
That means that if you want your flash to automagically figure out how bright it should be, you’ll need to rely on expensive first-party options, third-party brands that are willing to pay high licensing fees, or still others that reverse-engineer the technology—and you’ll end up with a flash that will typically work with only one brand of camera, a problem if you’re a beginner and not totally committed to a particular system.
In our email interview, David Hobby called the LP180 “the best bet on basic flashes for people who want to get into lighting.” Hobby prefers this model over a first-party flash that offers automatic controls, because it costs less, it gives you a better understanding of what you’re doing, it has a longer warranty than most first-party flashes, and it offers better build quality than other third-party options.
It’s the first flash that I actually prefer over a Nikon SB-800.” He isn’t the only one to offer such praise.